WotTheFuckIsSexMajik
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Wot the fuk is sex majik?
Magic is beyond science, art, religeon or technology. And so sexual sublimation has nothing to do with revolutionary sex majik. Under consumer capitalism , SEX is not to be understood as just another commodity, but the BODY must be recognised as the primary source of PROPERTY relativity. Sex majik does not eroticise the city in terms of phallic buildings or body field vibrations of pylons but look to the reproductive potential of the streets, their vaginal passageways of exits and entrances as a source of continual death and birth . The sublimation of the body is the magician's preconception and first face: ANTI-BODY, a ghost like virus in the machine. The body is the opposite of a machine. Bodies are not machines: neither machines of desire, nor war machines, nor machines of power. Bodies destroy their function, come out of their frames, get into contradiction with themselves. Bodies show their discrete anti-machinery. Bodies carry the truth of all majik, which can be defined through the interrupted pulsing of 4 elements: body-thinking-happiness-suffering. Happiness is not a technology; neither is suffering. Suffering and happiness live at a high-speed detached from technologies, like death is a high-speed detached from life. (If you don't understand this, try drowning in a bathtub.) Thinking is not a technology because it can exist only in desperate disagreement (with the primate of technologies.)
And still, magic, majick or majik have different meanings to different people. Broadly, there are 3 main types of sex majik, and they are charecterised by their place in differing majikal systems and relationships to life and death. In each type, the practitioner may take the role of priest or magician, but the class interests of each type of majik venerates itself in the form of its 'god/s' and can be understood through the different relationships to death:
- Imperial (or aristocratic) sex magick is practiced for power over death. Its purpose is immortality or the 'death of death' This depends upon a strict separation between life and death and requires ritual human sacrifice. This is similar to the role of genocide in imperial (ie aristocratic) warfare, eg "ethnic cleansing" to transform people and land.
- Modern sex majik (or bourgeois majick/ magic etc) is a feature of industrial/capitalist society and serves to make death spectacular and commodified. Sex is an alchemical processing which is hedonistic or decadent because it creates further production and consumption of commodities with the aim of totally transforming life and death into commodities. This involves a majikal process of objectification, and a feature of this magic or majick is the sublimation of sacrificial rites, where objects can come to stand in for people.
- Revolutionary sex majik does away with god/s, sacrifice and the murder of the body, and seeks the reintegration of the dead into the sexual practices of the living as a necessary step towards a real human community. It is important to note that this is very distinct from ancestor WORSHIP, which can be every bit as repressive as the denial of death.
New skool v old skool
In the feudal epoch, glamour was a 'magic power' the neurotically repressed imagined 'witches' held over them. Likewise, in the bourgeois era, glamour has always been a projection on the part of the 'straight' adult' whose repression as a child has separated them from a conscious knowledge of their own sexuality. In western society, the child is a victim and object, desired, and as far as possible, denied any subjective role in their 'sexualisation'. This sexualisation is itself subsumed within the more general repressions of 'socialisation', a process that assumes, while simultaneously attempting to deny, that babies are born with a 'natural' propensity towards polysexuality. That this discipline, which aims at the reduction of sex and sexuality to an orgasmic and penetrative function, should be necessary at all, demonstrates the 'naturalness' and extent of paedo(poly)sexuality. Bourgeoise individuality, which is the object of socialization, relies on sexual denial and sublimation to create hierarchies of desires. At the top of this hierarchy is 'self-actualisation' which is bourgeois or secular 'god-head'(2). This is a spectacular recuperation which is used to commodify the victim.
The gods of the bourgeoisie are immortalised through mass media and this is why it often appears that people watching TV are entranced or engaging in meditation or worship. the aristocracy have always equated themselves with god/s, or seen class relations as their 'god given right' to rape the proletariat; but by universalising monetary relations, capitalism seeks to abolish the concept of rape. The reification of birth and death allows life to become spectacle and commodity: the new money/gods of the bourgeoisie are the 'superstars' and sex 'gods' who become more and more abstracted with every photograph , every video taken of them. These images do not simply steal their souls, they 'kill' them each time more and more, while symeltaneously making them 'immortal'. It is no co-incidence that a lot of these images are soft-porn. Repeated masturbation over a fixed range of images speeds up conditioning and the process of internalising values: the commodification of the 'sacred prostitutes' is a sign of the rise of the bourgeoisie(3).
It is a mistake, however to see aristocratic and modern majik as opposed. These two types are often used together, is seen in the recent manipulations of the british royal family. The death of the aristocracy and its rebirth in the bourgeoisie is evident with the ritual sacrifise of the 'godess' Diana, which occurred when she had physically left the Windsor family. The lpa had predicted charles death, the 'kiss of death' (lpa issue...) was evidently given to Diana. the bourgeoise magicians who manipulate and service their gods have always relied on the oldskool occultists of the original superstars aristocracy as the source of their mythic powers. Diana, straddling this divide, found the only way to break free of the royal family's processing was thru sacrifice, so her son can be processed to supercede her place. While Diana attempted to resist the more Satanic of her husband"s advances, she became completely seduced first by the paganism of the Catholic "church" in attempting to project herself as "the Huntress" under the thin disguise of being a 'Madonna'.
The Jesuits continue to leak stories about Prince Charles" extra-marital improprieties to their agents in the media, while the Crown endlessly retaliate by revealing the sordid escapades of his estranged wife. Since we live in a so-called "global village", Crown publishing assets are forced to run both sides of the story so as to maintain an illusion of neutrality, with the result that the sacred institution of marriage is ruinously defamed: Princess Diana was simply a pawn in the game being played out between the international aristocratic 'families', (the Windsors, the Vatican, the Saudis). Contrary to reports carried in the underground press, Di was not recruited as a Jesuit mole prior to her marriage. The Princess only turned to Rome in the shape of "Satanic" Antony Sutch and "Crazy" Cardinal Hume after her husband forced her to undergo vile sex rituals so that she could bear him a "moonchild". Again, contrary to reports elsewhere, this project was successful, resulting in the birth of Prince William (to be WIIIIAM V = I AM VI VI VI) on the summer solstice, 1982. Recent public disintergration of the Windsor gang in the mass media will either manifest as king sacrifice (maybe manifest so charles can join Diana in the ranks of the bourgeoisie: as when george v came to power) so that William can be succefully crowned early.
No war but the class war
The weakness of the royals is reflected in the fact that the aristocracy's sublimation of its image into the environment and the land, through ideas like 'divine right' or inheritence, is really a branding and raping of the land, (because it is always carried through with the domination of the dead over the living) rather than a total sublimation of the living and dead body into the land, through sex majik and it is precisely the sexual relation of the masses to the land that proletariat intervention is made into this situation. The only property of the labourer is blood sweat and tears - and the product of their labours - we see the form of the chambered mounds and dolmens as sacred to their builders (and as still sacred today) because it was a microcosm of the primal mound described in the most widespread ancient myths of creation. In the varied forms of that story the female earth mound is always pierced by something representing the male sky, perhaps a shaft of light, a spear or a thunderbolt. Briefly, uniting sky and earth, the dark chamber of the mound interior gives birth to living beings... life, fertility and hope came from the dark in there as the rising sun pierced it with the sky's light reborn. In imagination, we can still share the power of such moments with the people then, with people who built these chambered mounds almost all over western Europe, such was their need to mark the key days of the year with ceremonial gatherings at a sacred place. There they could balance darkness with the sun's splendour, the cave or womb of the past with the light of hope for the future; the inner life with that of the world we must deal with. Dolmens are for the living.'
For eleven years the free love festival at Stonehenge, one of the most well known stone circles in the western europe, grew from a few hundred to 30,000 celebrants but with the anti-sex god "iron lady" Margaret Thatcher in power, it all ended in tears when she unleashed her police, that resulted in the terrible and bitter Battle of the Beanfield when the Peace Convoy was brutally smashed. After the Battle of the Beanfield, the ruling classes and their masonic organisation quite famously succeeded in installing a quantum processor at stonehenge in their attempts to channel the Freemasons of the Future.
One way to counteract the harmful effect of Imperial Magic is through sex majik interventions into the masonic effects of Aristocratic sex facism in everyday life. It was the year of the plaindrome, 2002 the Qubit City Fuck Club, finding it difficult to have penetrative sex there undisturbed, had set-up camp a few miles down the road, for a triple orgasm at Stonehenge last summer, i.e. summer solstice 403. The site was chosen to line up with the MOD/ QinteiQ site. The collaboration of some 'Druids' in league with the 'English Heritage' mob, to the British state war machine is still in primacy stages and the instalation underneath the stones has been severely affected by proletarian interventions including the use of sex majik.
The Royal Society of Medicine's 2003 article on Stonehenge as a vagina ... which sees humanity as a 'male' penetrator of the 'female' mysteries of the earth echoes some of the proto-Fascist Futurist 4th Dimensional conceptions. Virginia Spate and Christine Poggi have noted that Boccioni's correlation of mother with materia in the latter work identified her with the elemental forces of creation, but that his subjection of his mother's body to interpenetrating force lines emerging from the urban environment echoed Marinetti's "rejection of the cult of mother" and the preeminence of male-gendered notions of "antimaterialist" speed and force over the generative earthbound power of female fecundity represented in the form of an elderly mother no longer able to bear children. 12 As we have seen, Bergson thought matter in a condition of stasis represented the elan vital at its most degraded, when it came closest to a state of absolute inertia. By contrast, the intuitive consciousness Boccioni and the Futurists associated with artistic creativity and the violence of the male revolutionary represented the elan vital as a fully ope rative agent of creative evolution. Boccioni's choice of the striding image of a heroic male for his Unique Forms of Continuity in Space may well reflect a gendered notion of "creative revolution," in keeping with Marinetti's Sorelian identification of the heroic male warrior as the primary force for social transformation.
Giovanni Lista has argued that Boccioni's politics were closely allied to those of Marinetti; more recently Poggi and Spate have drawn on analyses of Marinetti's gendered politics in an evaluation of Boccioni's politicized representations of female and male bodies, though neither author explicates the Sorelian and Bergsonian dimensions of that discourse. For evaluations of the cult of male virility that pervades Marinetti's gendered notion of Futurism, see Barbara Spackman, Fascist Virilitie: Rhetoric, Ideology, and Social Fantasy in Italy (Minneapolis: University of Minnesota Press, 1996), 1-33, 49-76; Cinzia Sartini Blum, The Other Modernism: F. T. Marinetti's Fiction of Power (Berkeley: University of California Press, 1996); Christine Poggi (as in n. 98), 19-43; and Spate (as in n. 96), 107-38.
Completely opposed to such manipulations, revolutionary sex majik opens up areas of collaboration and cooperation. "Stonehenge was a place of life and birth, not death, a place that looks towards the future". The steel wires around the stones enforce the dualistic seperation of life and death which is bound to eventually yield, along with all fences.
When activating the stone circles in the city of London, ley lines and power lines, electricity/ power stations , necrophilia remains an important weapon in the struggle against patriarchy because the end of oppression necessitates the reintegration of the living and the dead. One way in which (male) revolutionaries might rediscover the feminine is by thinking through what it means be dead. Table tapping and Ouija boards reinforce the hegemony of the reigning society by creating an imaginary world that compensates for the deficiencies of the one we live in. It has been claimed that dozens of men paid to have sex with Marilyn Monroe's corpse. Sex with the dead could be a gift but under capitalism it is often reduced to the commodity form and the cash nexus.
There is a folk legend that having sex in the Clannish stone circle on 24 June unchains all sorts of fertile magic and ensures an enduring monogamous relationship between heterosexual couples. Therefore the silent bards refrained from copulating at this site during a recent research trip to Lewis. Likewise, , since we reject all forms of modern pseudouniversalism, we despise those who seek the so-called navel of the world. In fact, our research shows that everyone has their own omphalos which often turns out to be the Neolithic or Iron Age site at which they experience the best orgasm, on solstice or any other time.
Of course, agencies like 'Historic Scotland' do their best to discourage sex at the monuments they run by installing obtrusive information boards. This was done at Balnuaran of Clava, where the signs intrude into the outer ring of the stone circles surrounding 2 of the 3 cairns, rendering the site worthless from a psychogeographical perspective. Fortunately when researchers visited, the bureaucrats hadn't yet succeeded in destroying the ambience of the Corrimony chambered cairn and stone circle at the west end of Glen Urquhart. During the course of several field trips to Scotland, researchers experienced strong orgasms in a good number of ancient structures. We were very pleasantly surprised by the potency of orgasm achieved at Carn Liath, Strathsteven, which is in the 'Guardianship' of the Secretary of State for Scotland and very easily accessible - being located on the coastal side of the A9, or the 'Great Road North' as it is locally known.
Finally we will add that our reluctance to engage in sex at ancient sites when other people are around stems not from moral qualms about exhibitionism - it merely reflects the fact that the occult means hidden.
